stuff #13.6

20 01 2012

This makes me happy (click).  I’ve been waiting for something of a facebook backlash for a while now.  Here’s hoping for an early Christmas present this year.

This makes me sad …”We’ve been blessed with natural resources…“  It’s a comment I overheard by a member of my parliament while on Rutherford’s 630 CHED radio program.  It seems he was upset with Obama’s recent decision to delay the XL pipeline.  From what I can gather, the boundaries that define Canada have been bestowed by some deity with abundant materials that we Canadians can exploit as we see fit.  Sweet, I love deities that play favorites …especially when they’re on my side.

This makes me relieved (click).  I don’t like pirates.  Water-logged or digital.  What I hate worse than pirates though are ‘artistic thieves’ – ones who steal creativity by limiting its growth.  Clay Shirky summed it up well in this recent Ted Talk: “The 20th Century was a great time to be a media company […] If you were making a TV show, it didn’t have to be better than the other TV shows of the day …it only had to be better than the two other shows that were on at the same time.

This makes me laugh (click).  It seems someone’s been playing the old iPad switch-a-roo, and a few consumers have gotten a bag of clay instead of the real McCoy.  It’s not all that funny if you got one I suppose, but what I’m excited about is for those with time on their hands to throw together some videos/skits with Apple ‘fanboys‘ actually trying to use the product.  Clay iPhones will be the next big seller if I know my trends.

Finally, this makes me wonder… “To admit that our ancestors are bacteria is humbling.  It has disturbing implications.  Besides impugning human sovereignty over the rest of nature, it challenges our assumptions of individuality, uniqueness, and independence.  It even violates our view of ourselves as discrete physical beings separate from the rest of nature and – still more unsettling – questions the alleged uniqueness of human intelligent consciousness.” pg 32.  Dazzle Gradually by Lynn Margulis and Dorion Sagan.

...just one of our many blessings.





do its?

18 01 2012

Way back in the days of my scholastic endeavors in music, I had a trombone teacher who gave me a book to practice out of.  I thought that was funny; practice.  Especially out of a book.  So I didn’t.  I showed him -ha.  For some strange reason I kept it though, and have sporadically worked my way through it.  Most of it was boring.  Some somewhat exciting.  The book is V. Cornette’s Method For Trombone.  It’s green, and seems to have been revised by Jerome N. Procter in 1936 …so it’s pretty current as far as trombone technique goes.  In the back of it are these things called ‘duets’.  I’d tell you exactly what a duet is except the Internets are abound with disgruntled interneters (in particular Wikipedia) protesting the SOPA and PIPA bills that are bearing down on our presumed-guilty-before-charged thieving little paws.  In a nutshell, the word duet comes from the word ‘Do’ and the other word ‘it’ …meaning you’re supposed to ‘do it’.  Get it?  Do it!  Right.  (pfft, who needs Wiki anyway).  As i was saying, I came across these ‘duets’ and figured what the heck, I may as well do it.  The only problem was there were two parts to it, and I couldn’t play them at the same time.  Bummer.  So I just played one.

I did this for a while and during one rare bout of freak practice I thought my ears detected something amiss in the melody.  Could that Eb actually be an E natural?  Hard to say.  I did however, surmise that the ‘other’ part may provide some clues …and so I played it as well.  Still hard to tell.  One part had an Eb and the other an E natural …was it supposed to sound like this?  Was music evil sounding even back in the 30′s?  Eventually I came to the realization that hearing both parts at the same time would provide me with the answer, but how to do that.  Should I find another trombone player?  Good luck with that I thought, the trombone went out of style in 1938 (right after the revision by Mr. Procter) and the odds of finding a player is remote.  Then a bolt of lightning.  Flash!  “Why don’t you record yourself playing one part and then play along with the recording while playing the other?“  Brilliant, I thought!  So I grabbed my trusty little cassette recorder and went about laying down a track, then playing along to it.  And voila …The Eb should indeed be an E natural.  Crisis resolved!

As an exciting aside, I did find playing with myself to be rather ….er, entertaining (ahem) so I decided to record the shenanigans on my computer and see if things can sound any better.  The result?  Nope.  Lol, same crap.  It did feel nice though, to play with myself (ahem again) so I went about switching up one horn (bone to trumpet) just to make it interesting, and decided that it was fun enough to share with my peeps.  That’s you btw.  You’re the peeps.  Don’t be insulted ;)  Keep in mind though, I never play the trumpet that much so by the end of the piece my chops were always crapping out and the pitch moving all over.  Ditto for the notes.  And the phrasing.  And the dynamics. Etc, etc, etc…  Oh, and the trombone -lol.  Excuses and non-caring aside, you have the wonderful piece of music before you titled – Six Concert Duets for Two Trombones by V. Cornette. Duo #1.  And, more importantly, that dreaded Eb has been fixed …and thanks to my sloppy playing you won’t even realize it anyway :)

If you’re keeping score, this one’s in the key of F.  F is for Fun.  And Fail.  And some other F-type words I’m sure.








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